![]() ![]() “I couldn’t believe something even that long could be a single,” he says. He was even more shocked when the nearly six-minute edited version became a hit. I didn’t use anything too fancy for the Ozzy records.”Ĭonsidering that No More Tears tracks in at more than seven minutes, Wylde was as surprised as anyone when it was chosen to be a single. “It was just my Les Paul through a Marshall JCM800 2203 amp and cabinets fitted with 75-watt Celestions. The gear that Wylde used for the song was his standard rig at that time. I usually get a homework CD of a track so I can work on it until I get something I’m happy with.” Things like Hotel California or You Shook Me All Night Long - you can’t play the song without playing the solo exactly as it was recorded. “That’s the Randy Rhoads school of soloing, where you sit and compose the solo. Wylde is a big fan of the written guitar solo, where the nuances are pre-planned and carefully constructed. ![]() “It’s a blues-based syncopated solo, but I really sat and worked on the crescendo parts to get something that totally clicked.” “I was wondering where I was going to go with the solo,” he says. ![]() As for Wylde, he knew that he had to pull something special out of the bag. It takes the song somewhere else for a moment.”ĭespite Inez’s role in the song’s creation, the bass part was recorded by Ozzy’s longtime collaborator, Bob Daisley. I think it’s really arresting the way that everything just drops out and then comes back with the piano. Zakk: No Rest for the Wicked, Live 1989, No More Tears, Ozzmosis, Down to Earth, Live at Budokan, Black Rainĭemo below recorded with a Kemper using the Ozzy Pack and drums/bass/vocal backing tracks found on YouTube.“I’d started to come up with some ideas on the piano, and John was playing around with different inversions on the synth. Jake: Bark at the Moon, Ultimate Sin, Badlands Randy: Blizzard of Ozz, Diary of a Madman, Tribute If your guitar is bright, try reducing the Treble and Presence by 0.3 and go from there. Try increasing them both by 0.3 and see how that sounds. If your guitar has a fuller tone, we recommend increasing the Treble and Presence together. ![]() There will very likely be differences in tone between your guitar and the reference guitar. We used Jimi's 1954 Gibson Les Paul Standard (modified with original 1950's Gibson PAF pickups) as the reference to build the profiles. Please Note: Obviously, the guitar is a very important part of the signal chain, and differences between guitars will affect the tone. Even if you're not a big Ozzy Osbourne fan, this pack contains a wide array of fantastic hard rock guitar tones. Here's your chance to rock to Ozzy with an amazingly accurate guitar tone. Jim's Comments: "This pack contains the tones of Ozzy's three most important guitarists - Randy Rhoads, Jake E. Profile Type: Studio (24 profiles) and Merged (24 profiles) Min to Max Gain Range (Scale: 0 to 10): 0 to 8 Speakers Used During the Profiling Process: 12" Altec Lansing 417, 12" Electro-Voice EVM12L, 12" Celestion Creamback 65 Seeking to recreate the sound heard on the recordings of the hard rock artist Ozzy OsbourneĪmps/Pedals Used During the Profiling Process: Various vintage Marshall heads, MXR Distortion+, MXR 10-Band EQ, Boss OD-1 Overdrive, Boss SD-1 Super Overdrive Top Jimi Ozzy Pack for the Kemper Profiling Amplifier ![]()
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